Tuesday, November 15, 2016

Special Edition Blog Post #6: Chicago Art Institute Tour, Guided by Professor Nathan Peck, November 5, 2016



On November 5, we toured the Art Institute with the express purpose of learning 
to give our own tour. By focusing on key works that interested us, we moved from 
room to room, chronologically working our way through the three major periods of art; 
classical, modern, and contemporary.

Professor Peck had some fun and unique ways of processing the differences 
between the movements. One key example was to focus on toenails & bowls of fruit. 
In classical art, the goal of the artist was to demonstrate their mastery of craft, 
so details like toenails, even though unnecessary for transmitting the message of the piece, 
were included in minute detail. Bowls of fruit were meticulously copied to demonstrate 
the photo-realistic capacity of the artist.

Modern art, spawned after the invention of the camera, changed the intention of the 
artist to communicating not skill, but technique. Different methods of painting & sculpting 
emerged with a focus on the materials and methods used produced pieces that saw little need 
for details like toenails. The modern bowls of fruit created by Picasso, Monet and other masters 
were vibrant expressions of bowls of fruit, challenging traditional ways of thinking, 
and inspiring the viewer to see the world differently.

In contemporary art, the idea takes precedence, with technique and skill serving only 
the purpose of communicating an idea. The artist invites you to see the world through their eyes,
using mixed mediums, techniques ranging from advanced craftsmanship to passionate 
expressions of emotion worked out through paint thrown or dropped on canvas. 
Bowls of fruit may be actual bowls of rotting fruit, and a sculpture made out of 
toenails is entirely likely... if it conveys an idea.

Here are pictures from our tour.

In the entry staircase to the museum.

"Monochromapeck" Nathan begins the tour.

Welcome.

Look! A bowl of fruit.

These are beautiful in the same room. Love the rust colored walls.

Peck feeding a horse.

That is also a train thing.

Sarah Surreal 
My favorite picture of the day. Super weird framing.



My favorite piece of the day was "Untitled" (Portrait of Ross in L.A.), 1991. 

"Untitled" (Portrait of Ross in L.A.), 1991

Created by Felix Gonzalez-Torres, this pile of candy, wrapped in colorful cellophane 
was a touching tribute to "Ross," a lover who died of AIDS. 
While the dimensions vary with each installation, the ideal weight of the candy is 
Ross' weight of 175 lbs. Viewers are invited to eat the candy, participating in an unusual communion,
and diminishing the pile of candy to demonstrate the wasting nature of Ross' demise. 
The museum is instructed to at intervals of their own choosing, 
bring the pile back up to ideal weight.

I chose a lime candy, and it was a truly moving experience.

While this wasn't my first time to the Art Institute, it was the first of many trips to the museum since I've joined the art program at Saint Xavier. Sarah and I bought a family membership, and will be putting it to good use. If you are visiting Chicago, hit me up, and we'll pay a visit together! 

My treat.

Special Edition Blog Post #5: Carlos Barberena's "Promised Land"

This week, we attended the gallery exhibit of self-taught Nicaraguan
printmaker Carlos Barberena, who is currently based in Oak Park, IL.
His collection of linocuts and woodcuts was an incredible example of
politically & socially charged artwork executed in a traditional or cultural medium.

While Mr. Barberena had moments of incredible detail that occasionally
lost my attention, he was a captivating speaker and had wonderful insights
into his craft and the circumstances that helped sculpt him into the artist he is today.

As a refugee that moved throughout central and north America,
Carlos moved through multiple mediums, and it wasn't until his move
to Oak Park that he stumbled across a print shop and learned the art of printmaking.

I spoke with him following the show, and was interested to hear
his take on working simply in black and white. I am very interested
in print making, and specifically I'm very excited about working in spot colors.
He felt that the message he was communicating, and the detail that he applies
to each piece are best seen in a single color.

All in all, I felt that this was the best of the 3 exhibitions we've attended
this year at SXU's gallery. Mr. Barberena was approachable like Michael Hedges
(I didn't feel that Tatjana was particularly so) but was engaging to both teachers,
students and visitors, something I did not feel about Hedges.
His artwork was easy to appreciate from a stylistic standpoint,
and also due to his message. Mr. Hedges, and Ms. Jovancevic both focused
on abstraction, and their art required more context for the viewer to appreciate.
(something only Ms. Jovancevic delivered on)

I will definitely be following Carlos' work in the future, and hope to visit
his Oak Park print shop someday. Here are a few examples of his work.


Carlos Barberena


A modern take on the four horsemen of the apocolypse

A piece on Abu Ghraib

A piece about the surveillance in Chicago.

"Flor de Cana"

"Monsanto"

"Dignity"


Tuesday, November 1, 2016

Week 10: Halloween Edition Blog Post

This week, I went back to graphite and drew a still life of a skull suspended on tapestry. 
I used an H6 pencil to sketch the skull, and an HB & 9B to shade. 
I focused on producing 5 different shades, from deep black to white, and used my finger to smudge the graphite into the paper.

"Blind Man" graphite on paper 

I spent 3.5 to 4 hours on the drawing, then scanned it into photoshop for some photo editing.

After balancing the black/white levels, I applied hue saturation layers to create a 
realistic looking color piece with a teal background.

"Blind Man, Teal." Graphite on paper, Adobe Photoshop

I went back to the original scan and rebalanced the levels for a less dramatic depth to the black areas in the drawing, and applied a bright red hue to the skull. I set that on a green backdrop for contrast, aiming for a halloween mix of slime and blood.

"Blind Man, Slime and Blood" Graphite on paper, Adobe Photoshop

Happy Halloween.